Daniela Cotimbo (Taranto, 1987). Art historian and independent curator based in Rome. Her research focuses on the problematic instances of the present through the relationship with the different means of expression, in particular new technologies. Recently she conceived and curated Re:Humanism Art Prize, first art prize dedicated to the relationship between art and artificial intelligence. Most recent curatorial projects: 2020 – Allegra ma non troppo, solo show of Sonia Andresano, AlbumArte, Rome; 2019 – Complessità – performance by Enrica Beccalli and Roula Gholmie for Digitalive, Romaeuropa Festival, Roma; Re:Humanism Art Prize, collective exhibition, Albumarte, Rome; 2018 – Ionian Archaeological Archives, solo show of Marco Emmanuele, Bivy, Anchorage; 2017- Die andere Saite – Massimiliano Tommaso Rezza, Colli Independent art gallery, Rome; 2016 – Models of display, solo show of Montecristo Project, Colli Independent art gallery, Rome; Se non vedete segni o prodigi non credete affatto, solo show of Anahi Angela Mariotti, Sala Santa Rita, Rome; 2015 – CsO, collective exhibition of Tiziano Martini, Marco Pezzotta, Vincenzo Simone, Cristiano Tassinari, Operativa Arte Contemporanea, Rome; 2014 – The Tomato Syndrome, (curated by Artnoise) Magnus Frederik Clausen, Galleria Cinica di Palazzo Lucarini, Trevi (PG); Andiamo Là, Diego Miguel Mirabella and Matteo Nasini, L’A project space, Palermo; 2013 – Per terra non cade, solo show of Diego Miguel Mirabella, Museo Agro Pontino, Pontinia (LT); Innesto #6, ri-orientamento, solo show of Michela de Mattei, Sala Santa Rita, Rome; Essere io non ha misura, curated by Daniela Cotimbo, Sara Fico, Laura Loi, Giulia Zamperini, Macro Testaccio, Rome; Presupposti per un dialogo inesatto, souble solo show by Diego Miguel Mirabella and Mauro Vitturini, Galleria Cinica, Palazzo Lucarini, Trevi (PG); ORTICA – Organic Theme in Contemporary Art, curated by ARTNOISE, Macro di Testaccio, Roma. She actively collaborates as contributor for various art magazines.
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